![]() In the process, they unearth what are probably the remains of Charley Wade (Kris Kristofferson), who in 1957 was the town's bullying sheriff. ("You live in a place, you should know something about it," And the film's first sight is that of two Army officers cataloguing fauna in the nearby desert. The place is Frontera, Tex., a sleepy little town on the Rio Grande. Indeed, "Lone Star" exists so far outside the province of slam-bang summer movies that it seems part of a different medium and a different world. Handles this film's dozens of significant characters and the many interwoven strands of its story line with ease.Īs writer, director and editor of "Lone Star" (the fluid editing is a particular asset, letting the story glide seamlessly between past and present), he assures the viewer that this film's many elements will converge in ways Sometimes decent but didactic in his earlier work (including "Matewan," "Eight Men Out," "Passion Fish" and "The Secret of Roan Inish"), Sayles this time displays nothing but soft-spoken grace. Its first scene to a magnificently apt ending, is utterly right. Every moment of the film, from the quiet foreshadowing of Plain and forthright as it looks, "Lone Star" winds up with a scope and overview rarely attempted in American films today, which makes its success that much more exemplary. In the process, it also sustains strong characters, deep emotions and clear dramatic force. Gratifyingly complex and beautifully told, this tale explores a huge array of cultural, racial, economic and familial tensions. The independence and quiet intelligence of his work, Sayles this time delivers a vibrant history lesson about a Texas border town. "You get 'John Wick 5' but it's not clear number six or number seven is going to be filmed here.JLone Star By JANET MASLIN he great, stirring epic "Lone Star" stands as a peak in the career of John Sayles, who already has such admirably serious films to his credit. "It's a race to the bottom for these productions." Jensen said. Plus, Jensen said productions could just end up moving from state to state every time there's a boost in incentives. It found they did not.Īnd some states who use film incentive programs have reported mixed results when it comes to economic impact. A 2020 study out of Kennesaw State University in Georgia looked at whether film tax credits had a positive impact on the economy. "And in terms of jobs, it tends to be a relatively small number of jobs and not permanent." ![]() it's nowhere close," said Nate Jensen, a government professor at the University of Texas. "Any argument based on tax revenue, that these jobs will pay for themselves. One justification for using taxpayer dollars to attract productions to the state is the belief that it will be good for the economy - spurring spending and jobs.īut skeptics say this isn't the most effective way to generate economic development. ![]() In the program's history, the highest dollar amount the state has allocated to incentive funding is $95 million. It's a huge boost from the $45 million approved during the last legislative session. This year, state lawmakers allocated $200 million from the state's budget to go toward toe state's film incentive program. ![]() ![]() "I think particularly in the DFW area, there is such a great excitement that hasn't really been there before. People like Armer and Mindy Raymond, the communications director for the Texas Media Production Alliance, believe a change is coming. "There is a buzz and there is an excitement around the industry now." "Texas has frankly not been very competitive over the last however many years that it's been," said Tony Armer, commissioner for Dallas Film & Creative Industries. But thanks to a recent boost in incentives, show business could be increasing its presence in the Lone Star State. NORTH TEXAS () - When you think of the top industries in Texas that drive the economy, the film industry may not be top of mind. Will Texas' boost in film incentive funding lead to economic development? 03:37 ![]()
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